Portfolio > Portraits

Everest
silver leaf and mixed media on plike
18" X 24"
2011
Everest
silver leaf and mixed media on plike
24" X 18"
2011
Four Men
silver leaf and mixed media on plike
28.5" X 40.25"
2011
Everest
silver leaf and mixed media on plike
18" X 24"
2011
Everest
silver leaf and mixed media on plike
18" X 24"
2011
Everest
silver leaf and mixed media on plike
85.5" X 120"
2011
Everest
silver leaf and mixed media on plike
48" X 36"
2011
Everest
silver leaf and mixed media on plike
48" X 36"
2011
Svetlana
silver leaf and mixed media on plike
18" X 24"
2011
Yadir
24 kt gold leaf and oilstick on panel
5" X 7"
2011
Svetlana
silver leaf and mixed media on plike
18" X 24"
2010
Roxy
silver leaf and mixed media on paper
32.5" X 18"
2011
Yadir
silver leaf and oilstick on panel
11" X 14"
2011
Yadir
24 kt gold leaf, silver leaf, and oilstick on panel
12" X 9"
2011
Portrait
gold leaf and acrylic on paper
17" X 14.5"
2010
Svetlana
silver leaf and mixed media on plike
54" X 48"
2010
Svetlana
silver leaf and mixed media on plike
54" X 48"
2010
Yadir
silver leaf on plike
18" X 24"
2009
Everest
silver leaf and mixed media on plike
112" X 120"
2010
Portrait
silver leaf on plike
36" X 24"
2009
Everest
silver leaf and mixed media on plike
90" X 144"
2010
Everest
silver leaf and mixed media on plike
90" X 144"
2010
Portrait
silver leaf and 24 kt gold leaf on plike
57" X 40"
2010
Portrait
gold leaf on paper
22" X 30"
2010

In his series "Portraits", Quintana lays paper gilded in gold or silver leaf beneath a person – typically another artist – while they work. The floor becomes the apparatus of the image’s production, collecting oxidation, footprints, dripped paint, sweat, and dirt that all combine to create a trace of the subject. By combining delicate gilding with ordinary elements such as dirt and sweat, the artist demonstrates his interest in materials and those of the artists who “sit” for him. Quintana does not seal his works so they slowly evolve over time, revealing environmental fluctuations, fingerprints, and impurities in the metal leaf. The Portraits hint at devotional relics and their gradual changes record the history of their display.
–Jennie Lamensdorf, curator, The Francis J. Greenburger Collection